Nov 23, 2024

Betrayal Protocol, Cold Divide Chapter 2 Patterns in the Ice by Sarnia de la Maré

Betrayal Protocol, Cold Divide

Chapter 2: Patterns in the Ice

The chalet’s command centre buzzed with subdued energy, the kind that came with early breakthroughs and mounting questions. Mila Novak headphones perched on her ears, barely looked up from her laptop as Alina entered. She secretly loved a new case and all the drama and this one was almost a guilty pleasure. In another world she may have been out digging up bodies and catching the bad guys the old fashioned way but her grasp of computer sciences was apparent when she was twelve as she beat her brothers hands down at games. It wasn't long before the call of coding beckoned and she was hooked to the flashing pixels. On screen now amidst the familiar cacophony of a live and fast moving case, strings of digits flickered, punctuated by partially decoded phrases.

“The cipher’s coming together,” Mila said, her voice clipped. “I’ve got a repeating phrase: Phoenix Initiative. Sounds like Cold War jargon, but there’s nothing concrete yet.”

“Cold War spy drama,” Fabian interjected from the kitchenette, cradling a cup of steaming coffee. “It’s so old-school it hurts. A cipher in the age of quantum encryption? Almost romantic.”

“Or staged,” Alina replied, pacing by the window. The towering Edelweiss Peak loomed beyond the glass, its frosty summit wreathed in morning mist. “If someone wanted us to think this was predictable, a cipher straight out of a Le Carré novel would do the trick.”

Fabian raised an eyebrow. “So you think this is a distraction?”

“I think it’s convenient,” Alina said, crossing her arms. “And I don’t trust convenient.”

Alina paced the floor, biting her lips.

"Let's take another look at the crime scene," she said shoving an empty coffee cup into Fabian's hand.

She was a petite woman, always in jeans, and today a polo neck covered her pale slender neck and a long purple scar from her ear to her collar bone. It came with the job and she was proud of it, a badge of honour she was given by a would be assassin who she saw arrested and handed back to Germany. But today it was bloody freezing and the heating had been off for months in the absence of an international case of interest between countries. 

The ice cave had taken on an eerie stillness since the investigators left. Alina and Fabian descended the narrow path, their breath fogging the frigid air. Snow crunched beneath their boots, the only sound in the pristine silence.

“Hard to believe this place is a murder scene. I mean, how'd anyone get a body out here anyway?”

“Focus,” Alina snapped, shining her flashlight along the icy walls. “Something about this doesn’t sit right. The body was displayed like a macabre art installation, but there’s no blood trail. Either this killer cleaned up perfectly, or...”

“...the kill didn’t happen here,” Fabian finished, crouching near the snowbank where Viktor Rodin’s torso had been propped. He frowned, pulling out a penlight to examine the ice more closely. “Look at this.”

Embedded in the frozen wall was a shard of glass. Fabian extracted it carefully, holding it up to the light. The surface glinted, revealing tiny etchings.

“Looks like part of a lens,” Fabian said. “High-end surveillance equipment, maybe? The kind used for recording or transmitting.”

“Which begs the question,” Alina said, her voice taut, “if someone was watching, why didn’t they stop this? Or did they know it was going to happen?”

Fabian put the shard with gloved fingers into an evidence bag. “I'll get Mila to take a look.”

'It may be nothing, there are a lot of accidents on the slopes. Especially those bloody snowbladers.'

Back at the  resort with its glittering chandeliers and polished marble floors, Alina could sense the tension, the unspoken awareness that something gruesome had shattered this alpine haven’s tranquility.

"We need to ask you some questions," Fabian looked at the receptionist with his stern-do-as-ask look flashing his credentials.

"This guy," Alina showed a snapshot of their vic, "he was staying here yesterday. and the day before. Were you around, did you see him?"

The girl was young and had a rather fake demeanour. Alina knew this type of receptionist, the ones that only cared about the rich people they serviced and the big tips. It was hard to get them onside.

"I was on last two days, I never saw him. I would have noticed him, he is quite distinctive."

"Room 331, said Alina....who checked him in?" 

The receptionist mustered a sigh as she pulled up details of the room.

"Oh this guy, no he isn't your guy, this is my guy." The receptionists swung the screen round with the artistry of a smug ice skater, and smiled.

Alina and Fabian worked through a list of staff and guests, focusing on those who had interacted with the imposter Mr Rodin. Most were evasive, their answers polished but hollow. Only one, a ski instructor named Lukas, provided anything useful.

“I saw him,” Lukas said, his brow furrowed. “Two nights ago, near the private lounge. He was with someone.”

“Did you catch what they were saying?” Alina asked.

“Not really,” Lukas admitted. “But Mr Rodin looked kinda mean. He had 'people'."

"People?" quizzed Alina, becoming increasingly impatient with this stupid rich people code.

"Body guards," explained Lukas.

On the way back to base with warm coffee in hand Alina and Fabian go over the details of the contradicting lines of evidence.

"So we have some dude," said Alina, "who is Mr Victor Rodin, but not our body in the snow, who may or may not be the Viktor Rodin, a former Soviet spy whose murder has alarmed MI5. We need to check out this other guest with Interpol. Maybe there are just a lot of Mr. Victor Rodin in the world." 

Fabian laughed, "Now that would be funny."

By mid-afternoon, the team gathered in the chalet’s briefing room, where Leena Anders, the forensic pathologist, appeared via video call. Her no-nonsense demeanour was sharpened by glaring surgical knives and the crisp apron she wore.

“I’ve just finished the preliminary autopsy,” Leena began, adjusting her glasses. “This case is... unusual, to say the least. You guys are gonna love this."

The team closed in on the screen. “How so?” Alina asked.

“For starters, the severing of the body was done haphazardly, an electric logging saw fits the marks left....or similar. It ain't easy to hack a man in half. But here’s where it gets really strange: the tissue degradation doesn’t match the time of death.”

“Meaning?” Fabian asked, leaning forward.

Leena hesitated, as though unsure how to phrase it. “The body shows signs of having been frozen for an extended period. Decades, perhaps.”

The room fell silent.

“You’re saying he wasn’t just left in the snow,” Alina said slowly. “He was stored on ice, then deposited at the scene?”

“Exactly,” Leena confirmed. “I’ve also found traces of cryoprotectants in his tissue—chemicals used in preservation. Whoever killed him didn’t just murder him. They kept him in cold storage then thawed him out.”

"Do we know it is our Victor Rodin?" Alina hated a confusing set of clues.

"I would bet my job on it," said Leena. "Teeth and bone records all match, this guy had a lot of injuries throughout his adult life. Age at time of death, late forties, early fifties, but I need to be flexible here as things get tricky in a deep freeze."


Back at her station, Mila frowned at the latest decode. “I’m not sure about this cipher,” she admitted. “The pattern is too clean, too deliberate. It’s like whoever wrote it wanted us to solve it.”

“Another breadcrumb,” Alina muttered, leaning over her shoulder. “What’s the latest?”

Mila gestured to the screen. “It’s more of the same: Phoenix Initiative, a series of numbers, coordinates pointing to old Cold War sites. It’s pointing us to a narrative, but it feels... scripted.”

“Because it is,” Alina said. “This isn’t just a murder. It’s theatre. Someone is very proud and they want us to notice them."

Fabian entered, tossing the evidence bag with the  glass shard onto the table. “Add this to the pile of oddities. High-end lens, found at the scene. Either someone was filming this or monitoring it.”

Alina stared at the shard, then back at the decoded cipher. Her instincts screamed that the answers lay elsewhere, buried under layers of misdirection.

“Mila, dig deeper into that footage. See if there is more, check social media and get a call out for any holidaymakers who have footage around the time,” she said. “And focus on Petrov’s movements. If he’s connected, we need to find out how.”

“And what about the cipher?” Fabian asked.

“Keep it on the back burner,” Alina said. “It might be relevant, but right now, it feels like smoke and mirrors.”

As night fell, Alina stood by the window, watching the snow swirl under the pale moonlight. It was romantic and serene, if there had not been one of the most gruesome murders she had come across.

Fabian approached, a rare seriousness in his expression.

“You think this is bigger than our spy, don’t you?” he asked.

Alina nodded. “Whoever did this is playing a game. And there is money or something even bigger at stake. Fabian offered her a wry smile." He knew Alina of old. She always went in head first and she had the best clear up rate of any of her peers. 

Alina was staring at the murder board. “This is just the beginning, we need to be on high alert. The last alpine case I worked on did not end well."


To be continued...

©2024 Sarnia de la Mare

Other episodes

Betrayal Protocol, Cold Divide by Sarnia de la Mare Ch 1  Shadows on the Snow






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The Rat Gang Crew and the Overgrounders Chapter 5: The Warning in the Walls

 Chapter 5: The Warning in the Walls

The air in Ratropolis buzzed with nervous energy as word of the successful nest mission spread. Every rat in the underground city whispered about Tommy Smith—the human who had not only listened to the Rat Gang Crew but also helped them fight back.

Inside The Burrow, the Crew gathered around their map of the construction site, now covered in scribbles, notes, and crumbs from Scarlett’s half-eaten sunflower seed.

Amelie tapped the map with her paw. “Tommy bought us time, but it’s not enough. We need a long-term solution.”

Scarlett frowned, her tail flicking impatiently. Rats and mice do not have a voice, and nor do human kids, rat gang members of not. We can't march into the human Parliament and demand our rights.'

Atlas looked sad, "We have no rights," he said looking down at the floor.

“We don’t have to march,” Ivy said, pulling a small book out of her satchel. Its cover read Tales of Old Ratropolis. “The elders always said our city is protected by ancient warnings in the walls—old carvings left by the first mice and rats. They claimed the carvings held the key to defending Ratropolis.”

Atlas tilted his head, skeptical. “Carvings? You mean like the doodles on the sewer pipes? I’ve seen them. They’re just scratches.”

“Not scratches,” Ivy corrected. “Symbols. I think they’re a map.”

Amelie’s ears perked up. “A map to what?”

“I don’t know,” Ivy admitted, flipping through the pages. “But if it’s real, it could be our answer.”

Scarlett snorted. “Great. So now we’re chasing fairy tales? I think we need a back up plan."

“Fairy tales or not,” Amelie said, “it’s worth a try. We don’t have many options.”

Scarlett was thoughtful. "I will get a message to Tommy. I have an idea."

Scarlett wrote in her best mouse handwriting a message to Tommy. She wrote it in code in case it was intercepted. This was after all, a secret mission.

Dear Tommy,

The stars are brighter where the diggers sleep. A colony of night flyers would make quite the spectacle there. They love the cool air and the promise of undisturbed skies.

If their wingbeats could echo under the moonlight near your dad’s machines, it might just be enough to make people stop and stare. Perhaps you know how to send the invitation to these midnight guests?

Best not to leave crumbs—only soft signs. They follow subtle trails, not loud ones.

Yours in whispers,
S.

Later that night, the Crew ventured into the oldest part of Ratropolis, a maze of tunnels and chambers untouched by time. The air smelled of mildew and history, and the walls were slick with condensation. Ivy led the way, holding her book like a compass.

“This is where the first rats and mice built their homes,” she whispered, her voice echoing softly. “If the carvings are real, they’ll be here.”

“Real or not, it’s creepy,” Atlas muttered, glancing around. His usual bravado wavered as the shadows seemed to move.

Scarlett offered support “Don’t be scared. It’s only —”

Her words were cut off by a loud rumble. The floor beneath them trembled, and dust rained from the ceiling. Amelie steadied herself against the wall. “What was that?”

“Construction,” Ivy said grimly. “They’re starting again. We need to hurry.”

As they pressed deeper into the tunnels, they found it—a section of the wall covered in strange, intricate carvings. The symbols twisted and curved like vines, forming shapes that almost seemed alive.

“This is it,” Ivy said, her voice trembling with excitement. “The warnings in the walls.”

Amelie stepped closer, tracing a paw over the carvings. “What do they mean?”

Ivy began taking rubbings of the carvings and symbols. “They’re directions… but to where?”

Before anyone could answer, another rumble shook the tunnel. This time, it was louder, more violent. A chunk of the ceiling fell, narrowly missing Scarlett.

“Move!” Amelie shouted, leading them back the way they came. The tunnels groaned as if the earth itself were protesting. Dust and rocks began to fall from above.

Back at The Burrow, the Crew huddled together, shaken but unharmed. Ivy spread out her book and looked at her rubbings, trying to decipher the carvings.

“I don’t think they’re just warnings,” she said. “They’re instructions. They lead to something buried deep under Ratropolis.”

“Something that could save us?” Amelie asked.

“Or destroy us,” Ivy replied. “The symbols… they talk about power. But also danger.”

Atlas folded his arms. “Great. First humans, now mysterious rat magic. What’s next—talking pigeons?”

Scarlett smirked. “Don’t give the pigeons any ideas.”

Amelie straightened, determination shining in her eyes. “Whatever the carvings lead to, we’ll figure it out. It’s our home, and we’ll do whatever it takes to protect it.”

Meanwhile Tommy finds a piece of paper, the handwritten message from Scarlett. He noticed how beautiful her writing was as he read the code.

And he knew exactly to do.






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Countess Diaries Chapter 25 The Curious Case of the Sentry Who Wasn’t There

 

The Diaries of the Countess of Brighton and Hackney

The Curious Case of the Sentry Who Wasn’t There

Dearest and most patient readers, today I must recount an absurdity so improbable that even Molière might have balked at its implausibility. It began with an alarming discovery: the palace gate, which ought to be steadfastly guarded by my trusted sentry, had been left open to the Brighton winds, as vacant as a charity shop at dawn. This sentry, mind you, is not a strapping musketeer but one of my more eccentric staff—a poet-turned-security-enthusiast named Algernon, whose greatest weapon is his penchant for quoting Shakespeare at passersby.

Algernon had apparently decided that guarding the gate required interpretation, and so, instead of standing vigilant, he had relocated himself to the café to conduct an impromptu symposium on the metaphorical “gates of life.” Guests were treated to a rambling soliloquy on how “the portals of existence are best left ajar to let in inspiration,” punctuated by sips of a latte he had commandeered from the café’s supplies.

Meanwhile, I, oblivious to this dereliction of duty, was upstairs attempting to soothe the gallery curator, Maria, who had taken offense at the positioning of her latest abstract masterpiece. She claimed the light in the gallery was “undermining the emotional integrity” of her work. I suggested a compromise: a new spotlight and perhaps a dose of Valerian root tea. Maria muttered something about “art being shackled by utility” and stormed out, leaving me to consider whether I should advertise for an emotionally detached curator instead.

Returning downstairs, I found a small gathering of libertines had taken advantage of the unguarded gate. They had installed themselves in the café, claiming to be a traveling troupe of improv actors, though their performance seemed to involve little more than gesticulating wildly and confusing Maria’s abstract sculptures for coat racks.

“Oh, but what do you expect me to do?” Algernon protested when I confronted him about the chaos. “Am I to physically keep people out? I am an artist, not a bouncer!”

It was then that I noticed Toria, the ever-dutiful DJ and occasional model, observing the scene with a bemused smirk. “Countess,” she said, “this reminds me of the time you tried to run a VIP gallery bar and forgot that VIP means Very Important People, not ‘Very Interesting Passersby.’”

She wasn’t wrong. My reputation for gathering Brighton’s most eclectic misfits precedes me, and it seems the café has inadvertently become an impromptu clubhouse for the town’s most theatrical vagabonds. One particularly bold fellow attempted to barter his “services” as a human statue in exchange for a pot of Earl Grey.

I shooed the libertines out with promises of hosting an open mic night at some vague and distant point in the future—sufficiently far away that they will likely forget all about it—and dragged Algernon back to his post.

To ensure no further artistic interpretations of gate-guarding occur, I have drawn up a list of official sentry duties, which I have laminated for Algernon’s reference:

  1. Keep the gate closed unless the visitor has an appointment or a compelling backstory.
  2. Refrain from engaging in existential debates with guests who have yet to prove their ability to purchase coffee.
  3. Do not compose or recite poetry while on duty unless it is an ode to vigilance.

Algernon swore solemnly to abide by these rules, though I suspect he will pen a 12-stanza rebuttal in iambic pentameter by week's end.

As for me, I’ve decided to implement a new protocol: all gate-related grievances must now be forwarded to my French-imported bed, which remains the most steadfast and reliable thing in my life. Until tomorrow, dear readers, may your gates be guarded, your poets obedient, and your libertines suitably shooed.

Yours in unending exasperation,
The Countess of Brighton and Hackney

©2024 Sarnia de la Mare


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The Countess Diaries Chapter 24 by the Countess of Brighton and Hackney #comedy

 

The Countess Diaries Chapter 24 by the Countess of Brighton and Hackney 

Bath, Libertines, and the Burdens of Artistry

Dearest readers, once again, the Countess finds herself ensconced in her gilded bathtub—a veritable cauldron of boiling vexation and fragrant oils, mulling over the indignities of a day spent at the mercy of libertines and dilettantes. I am convinced, utterly, that my life resembles some tragic Restoration comedy, wherein I, the noble Countess, must suffer fools, fend off philistines, and somehow still keep the palace lights on.

Yesterday was most insufferable—a Monday no less, that day which skulks into the week like a scheming footpad. I had readied the boudoir in splendiferous fashion, arranged for the lighting to rival Versailles itself, and donned lashes so long they threatened to furl like Venetian blinds. The recording studio was staged for the inaugural broadcast of my over-50s program—a YouTube visual triumph celebrating our second half-century (or as I must now lament, our falling second act). All was prepared. And what happened?

One of my guests—a local notable of dubious reliability—withdrew an hour before we were to go live! An hour! I had spent the day meticulously arranging my visage, polishing my anecdotes, and practicing the precise tilt of my head for the camera, only to have it all rendered moot by a flake of the highest order. And these are not seasoned professionals, mind you—oh no, they are of Brighton stock, whose experience of television might stretch as far as once glimpsing themselves on CCTV. Nevertheless, I try to remain magnanimous. But truly, if one more person pulls out, I may have to instate an ancient feudal punishment—perhaps banishment to Rottingdean.

Ah, but there was solace to be found! My boudoir, resplendent after a thorough refurbishing, offered comfort aplenty. I sank into my French-imported bed that night, its cushions plumped to perfection, and fell into a most restorative slumber. The bed has, I fear, now usurped my lover in its affections, it does not complain about my late-night snacking nor demand explanations for my eccentricities.

Today, however, brought brighter spirits. My dear friend Toria visited, bringing gifts of a most useful nature—a CD player for my sound system. Toria, a DJ of much renown, was aghast when I suggested acquiring CDs from charity shops for my music. The horror on her face! One would think I had suggested grinding Mozart into compost. Ever the rescuer, she bestowed upon me a playlist of her own curation, saving me from my philistine impulses.

However, a moment of blonde calamity ensued. Attempting to relocate my Technics stack from the VIP room to the gallery, I disconnected wires with all the delicacy of a bull dismantling a harpsichord. Nothing works now. Nothing! I must summon Toria again, hat in hand, to untangle this Gordian knot of my own making.

Meanwhile, preparations for Friday’s show continue. A trip to my printers today offered much amusement. One particular image—a scandalous piece, both in size and content—elicited not so much as a raised brow. The printer is a stoic wonder, treating my avant-garde requests with the same placidity as if I were ordering wedding invitations. Truly, she is the unsung heroine of Brighton’s artistic underbelly.

Lastly, a word on the Café. I am valiantly attempting to foster an evening arts vibe from 7 to 10 p.m. each night, but alas, tonight not a soul entered. However, this afternoon, when the café was closed for live art (Maria, bless her, painting in a transcendental trance), there was a veritable queue of banging fists on the door. What is one to do? I tried to rebuff them, but their puppy-dog eyes and familial connections proved my undoing.

Tomorrow promises more—more catastrophes, more hilarity, and undoubtedly more moments where I must question my sanity. But until then, dear readers, I bid you goodnight. May your boudoirs be plush, your friends reliable, and your wires untangled.

Yours in eccentric exasperation,
The Countess of Brighton and Hackney

©2024 Sarnia de la Maré



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